Reason 4 upwards Mixes.
The mixes on this page are created with the Propellerhead programme.The mixes are all zipped, because they are faster for you to download. If a mix has any "imported" or "tweeked" samples, they are normally saved into the mix, but it makes the file size much larger. Any message or text that you want to send with your mix will be added as well, unless stated otherwise..
Please note right mouse clicking the download buttons on this page and choosing save as will not work as they are only links to the actual download page in order for downloads to be counted. There are currently 24 mixes on this page, the last was uploaded on 03/04/2013 23:25:19.
Submit Your Reason 4 upwards Mix Here.
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| Mix Info:Remembering The Incas 6:46mins @134BPM Atmospheric Progressive Trance |
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| Mix Info:Searchin For Freedom 3:38mins @134BPM Danceable Progressive Trance |
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| Mix Info:Bonus Levels 5:31mins @131BPM Club Chart Style Instrumental (Avicii and Dutch Trance Influence) |
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| Mix Info:Still Many More Winters (Experimental Tech House Symphony) 4:10mins @133BPM Experimental Tech House Symphony |
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| Mix Info:Heavy Thoughts (Promo Version) 2:56mins @135BPM Atmospheric Trance |
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| Mix Info:Still Many More Summers 6:49mins @134BPM Progressive Dutch with a twist of the 90s |
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| Mix Info:Charm the Rattle Snake ( Authentic 90s London Drum and Bass Sound ) 3:07mins @175BPM Authentic London Style Drum and Bass |
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| Mix Info:Daydream 7:45mins @140BPM Trance |
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No extra EJay programmes needed to listen to this mix. Message sent with this Mix: Bass Mom & Dj CrusadeReview: This review is of DBA`s Daydream and this mix has a well organized blend of drum n bass and a killer intro!!! I especially like the way the synth lines blend into each other and fade out and the overall production of this track is fantastic I rate this track an even 10 for creativity and production and originality!!! 10 US2K Review: This is an excellent trance mix by DBA. My provisional score is 9 out of 10 but it could go up when I get round to reviewing to it. |
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| Mix Info:DBA - Day of destruction(deticaded 2 all victims of pukkelpop 11) (compo entry) 4:14mins @130BPM Dark Trance |
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| Mix Info:Lost Aliens 6:16mins @120BPM Sci Fi Film Score Techno |
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No extra EJay programmes needed to listen to this mix. Message sent with this Mix: Bass Mom & Dj CrusadeReview: Excellent intro drum n bassline are outstanding, overall composition of this track is phenominal and gives the listener a feeling of orbital or psy trance and the synths are very relaxing and well used in this mix I highly recommend this track to whom ever likes psy trance and orbital styles of music and the outro is right on the mark!! 10 DBAReview: The atmosphere in this song is real dark and i like that much. the mixing is nice done but there is work on the mastering of the sounds. Good song! I am going 2 rmx it in the future. Score: 7,5/10 7 US2K Review: I cannot review this as it is one of mine, so no score either. |
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| Mix Info:Palma d`Ostendia(Electronic Music Competition Edit) 4:14mins @128BPM Trance |
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No extra EJay programmes needed to listen to this mix. Message sent with this Mix: (US2K says) This was another great trance mix from Belgium that competed well with John Samely. It was made with Reason, and proves how good that package is too for making music. My final score is 9 out of 10, and it will be in a video in a few months, the second part of 'On A Costa Del Crossing'. It is worth waiting for too! |
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| Mix Info:US2K - Trance Invasion (Andy De Baeke aka Aon Remix) mins @127BPM Mellow Electro Tech Trance |
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No extra EJay programmes needed to listen to this mix. Message sent with this Mix: The mix progresses with the sweep causing the synch to rise in pitch up to the 28-second position. At that point there is a momentary change in the drum pattern, I am not sure what is but it could be a cut on the lower bottom end frequencies via equalization. In any case this serves as an intelligent announcement of the closed hi hat that enters the mix at that point. That sweep continues to rise giving the listener a little rush. At around the 52 second play position the bass frequencies are cut once again and a pitch altered snare roll to introduce the next section which is hook 1 with the sweep filter fully open. There is no clap or other percussion so the hook has maximum strength but it slowly loses its control of the mix as a second mellow but faster and more catchy (hook 2) instrument takes the lead. Around the one minute fifteen second position the clap returns and the intensity of the mix elevates, after the closed hi hat/shaker returns and the second hook reaches its full potential. The feeling inside it gave me at that point was nothing short of happy. Just when I thought the energy of the mix could not rise any more a third hook (hook 3) based on the other two hooks enters the mix and the accent clap is backed up by a snare drum. A short bridge in the music is achieved using the frequency cut tick again and then pitch treated snare roll takes place again and then I am sure the resulting trance anthem after the two minute 42 second position when the main groove returns would give dancers at an event an outstanding natural rush. After these highs the conclusion begins which is the slow fade out of the elements of the mix using filter cuts, equalisation, volume changes, in fact everything Andy had available to reduce the power of the instruments eventually to silence. The first instrument removed is hook 3, and on its full departure the shaker/hat is dropped from the mix instantly after a cymbal crash. Hook 1 and 2 form their own arrangement momentarily before they are also faded out. A drum pattern of snare/clap bass drum is left to finish the mix, with only the faintest hint of the mix hooks remaining. The final end is after three min on a final snare hit of the drum pattern, which has the thud of its lower frequencies, equalized out. . My evaluation of this mix is that is intelligently structured. The use of fills and breaks to indicate changes in the mix is very skillful. The hooks and melody lines although based on those in my original mix, the fading and arrangement means they are used in a more affective way. The musical arrangements, stereo positioning, equalisation and general mix mastering of a professional standard. The results of all great elements are a very catchy danceable commercial trance mix. My overall final score has to be 10 out of 10. This is well worth a listen to lovers of dance music and would be ideally suited to a field party music event. |
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