Fruity Loops 7,8,9 and 10 Mixes.   Go to Music Search

The mixes on this page are created with the Image Line Fruity Loops programmes. The mixes are all zipped, because they are faster for you to download. If a mix has any "imported" or "tweeked" samples, they are normally saved into the mix, but it makes the file size much larger. Any message or text that you want to send with your mix will be added as well, unless stated otherwise..

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There are currently 324 mixes on this page, the last was uploaded on 18/11/2017 19:28:36

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Mix Info:Changeling 5mins @141BPM Tech Trance

Overall Rating
Artist:Max_Motion



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Message sent with this Mix:
Well here we go Nige , got many tunes to upload , here's the first of many over the next few weeks , made most of them last year!! , better get your reviewing head on , LOL!!

US2K Review: The mix begins a noise that sounds like an electric saw. Then follows another delayed percussive scraping sound effect and a pair of distinctly different synth sounds (one acid, one more harpsichord like) play lines that answer and together form a very interesting melody. There is an intentionally slow broken bass drum beat. This theme continues using the electric saw effect as a fill, until the 15-second mark after which the bass drum slowly speeds up initially with the use of an extra beat acting as a fill. The bass drum continues to blend into a 141 bpm four on the floor until the 41 second mark a combination of a whoosh down sound followed by the electric saw introduce a much more steady drum pattern with fill. The foot cannot help tapping at this point. I cannot be certain but one of the synths may be playing extra notes too. Was this 41 seconds intentional as it has a relationship to the bpm of the composition? This is brilliant if it was. For the next thirty seconds or so a series of sounds are progressively added to make the mix more interesting. First is a Vox samples, and then an occasional train sound. The mix continues with this theme until the 1 min 29 seconds second mark at which point another musical concept is slowly introduced which includes different sound effects, a techno bass line, that is joined about 35 seconds later by a faster, higher pitched, very catchy trancey lead line. There are some interesting melody variations and introduction bass drum hits during a middle 8 lead to a new and exciting sci-fi techno theme. This continues until the 4 minute 16 seconds mark where the composition finally finishes on some intermittent bass drum beats, a short appearance of earlier elements of the mix and a suitable finish melody played on a harpsichord-like synth line. My score for this mix was 8 out of 10, but I think it should rise to 9 out of 10. In all a very fun listen and I recommend everyone has a listen.


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Mix Info:Juggernaut ( Extreme Mix ) 4:16mins @150BPM Tech Tarnce

Overall Rating
Artist:Max_Motion



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Message sent with this Mix:
Hi m8ey , this is about as ' Extreme ' as i could make it ! , believe it or not the original is one of my favorite tracks !!.

US2K Review: This mix begins with a whoosh sound and a trancey synth lead melody. After the melody completes once a noise, which sounds like giro percussion morphing into a whoosh, introduces a 4 on the floor bass drum pattern. 19 seconds into the mix, after demonic sounding distorted vox and whoosh effect either side of the stereo position, the bass drum is joined by a snare accenting every second beat, half beat hat, and a very danceable groove has been formed. Giro whooshes assist the mix in driving forwards, with a delayed bass slowly fading in. After the 30 second mark all instruments drop except the melody line and snare, before another whoosh announces the return of the full drum groove this time with an alternative melody answering the previous one (main hook and main theme), and the bass line returns with a stronger role, playing rhythmic 16th notes "under" the mix. This arrangement is an exciting but not necessarily catchy hook. This hook continues until a distorted vox assists the change of melody to a more discordant acid or Egyptian scale. As the note combinations get even more unusual towards the 1 minute 30 second position the mix almost sounds like it should be out of key but works very well regardless as a bridge to the later return of the demon vox and a variation of the main hook at the one minute 40 second position. The lead line and accompaniment continue to play increasingly unusual variations on the main theme up to the three-minute mark. The musically arrangements change, with instruments dropping in and out, bass drum rolls etc, during this time to keep the mix interesting. There is a bridge at the one minute fifty second mark where all drums and percussive instruments leave the mix except the snare and the lead plays some stabs instead of an intentional melody. After the two-minute mark the power of these stabs is used to drive the baseline which somehow is leading with an indication of the main hook 10 seconds later. From this point to the 3 minute mark there is some truly clever and interesting key and scale changes although despite some good moments I wonder if I would have preferred to have heard the basic main hook again, as a temporary "comfort" zone. A little later though when the conclusion is introduced by the main groove leaving the mix in favour of some snare, bass drum fills, and some "starting pistol" note patterns the mix does seem to become a more comfortable listen again. When the faster version of the main hook enters the mix and the main groove returns with an additional closed hi hat or tambourine percussion the foot gets tapping again. This is my favourite part of the mix as it gave me a natural high. This new theme with the sound effects and Vox is a truly spectacular finale. The mix continues in this splendid way up to the 3 minute 56 second mark, at which point there is a musical answer to the hook that makes a statement that the music is coming to an end. This takes the form of groove "falling away" and some other melodies that form a musical full stop. This final melody comes to a sudden stop but is faded out conveniently via reverb/delay diminishing reflections. The use of sound effects and drum and musical arrangement and lead variations is very sophisticated. The production, mixing, stereo position, and use of delay, reverb, equalisation and other mastering effects are of a professional standard. The structure is a little unorthodox but works surprisingly well. Despite all my little personal points I mentioned earlier this mix is a brilliant tech trance production although possible more suited to sound track music than for the dance floor. My score is 10 out of 10 and recommend everyone that enjoys any sort of techno or trance has a listen.


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Mix Info:Raise The Field ( Max Motion Remix) 4:46mins @135BPM Tech Trance

Overall Rating
Artist:Max_Motion



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Message sent with this Mix:
Hi Nige , hope you like this remix , done alot of work on it.

US2K Review: This mix begins with a "broken" (gaps in the repeats) bass drum pattern with fills and a pad hook from the original version of "Raise The Field" but with a different pad/string instrument, which sounds a little like a musical saw or thermion. A swept version of the pad and a bass drum fill/roll 25 seconds into the mix announces a change in the bass drum pattern to a four on the floor, and the introduction of a succession of instruments. These are first a mid octave "slightly acid" bass line and then a lead synth playing a faster catchy rhythmic hook riff. Of course the hook had to change with the key of the pad in the background. I am unsure without the mix file but it is possible the lead line was based on one of the original ones but regardless it does indeed change very well to match the underlying chords of the pads. There are some nice variations in the lead line too, which are subtle enough so as not to deviate too far from the hook riff. At the 1 minute 22 second mark, the bass drum groove leaves the mix, and a rhythmic version of one of the melody lines that were played on a pad in the original mix enters as lead. This instrument has a subtly reverb/delay applied that produces additional harmonics, giving an allusion of another instrument being in the background. This is a very bouncy break, and the bass drum returns shortly afterwards, this time it seems at a somehow higher tempo, although I was unaware of Fruity Loops enabling such mid-mix bpm change, so could be a sample loop. A new synth is introduced right of the stereo-field and the instrument previously leading slowly changes its role up to the two minute mix position. After that point a new higher octave instrument on the right playing a succession of trancey 16th notes takes over as lead (driving synth) to drive the mix, the original lead now playing a supplementary melody. By the two minute 14 second mark the mix is becoming very danceable. After a few intentional discords Max Motion' s personality surfaces in the form of a more prominent lead line although based on a melody played by the pads in the original mix this, his acid interpretation has a few more "twists and turns" in it. This clever balance of keeping common ground to the original but having subtle re-interpretations ceases around the three minute 9 second mark. Onwards from this position Max has kept the best notes from the hook but created entirely new fascinating answering melodies and arrangements. There are even high octave orchestral string/pad stabs to add intensity to the mix, but around the 3 minute 33 second mark the hook and theme of the composition is re-stated at on a lower octave instrument that could be considered a bass synth. It adds detail and interest to th mix while giving the high octave leads patterns of notes to answer. The bass synth changes between low and high octave notes every 4 to 8 bars, possibly via a filter sweep adjustment, until four minute 14 second mix position. At this point an atmospheric organ enters the arrangement on the left hand side of the stereo mix, and the listener is being led to a finale which includes the return of the upper octave trance 16th notes and another delay/reverb treated synth (final lead synth) playing a pattern of notes that alternates between either a 16th note riff or jazz like discords and stabs to answer. Interestingly enough the driving trance 16th note lead synth slows to play 8th or longer notes when the final lead synth is playing 16ths. During the jazz/stab section at the end of the mix the driving synth is playing 16ths again. The composer has very cleverly creates a feel of the two synths taking it in turns to either play rhythm or lead. This concept is used to create a very affective conclusion to the mix, and the actual finish after four minute thirty eight seconds of play, is achieved at with a sudden stop on a discord formed notes played from all instruments at the same time creating what is commonly known as an orchestral crash. The ending is improved further with the use of a delay on the final lead that fulfils the role of a smooth fade out. My evaluation of this mix is that it is very well produced, and structured, catchy in places. There is sophistication, and imagination use of variation, fills, sound effects etc. to maintain interest and announce the changes. Also the orchestral crash was a very nice touch. On reviewing my score for this mix has risen from 7, to 8 out of 10. I recommend everyone who enjoys progressive, tech trance, or techno has a listen to this very good mix.


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Mix Info:Lost In The WIlderness ( In the Dark Forest of Life ) 4:57mins @130BPM Ambient

Overall Rating
Artist:US2K



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Go to download page for Lost In The WIlderness ( In the Dark Forest of Life ) mix file.

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Message sent with this Mix:
This mix is one of my obscure ones that I produce at times. If you use you imagination you will hear bubbling brooks, frogs, splashing streams, and/or leaves being walked on. I produced it during them very bad weeks of my life. The end is more upbeat because it reflects how things had improved by the time of completion.

US2K Review:


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Mix Info: Insane Life 1.30mins @135BPM Tech Trance

Overall Rating
Artist:Sasa_Clubber_&_US2K



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Message sent with this Mix:
Waiting a week or two to add this Sasa Clubber Track

US2K Review: This is an excellent Tech Trance track that I am yet to review but have already scored it with 10 out of10.


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Mix Info:OpTiMa - EuPhO PrOjEcT ( MoTioNMiX ) 3:34mins @142BPM Tech Trance

Overall Rating
Artist:Max_Motion



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Message sent with this Mix:
Here's my remix of EuPhO PrOjEcTs track , happy new year!!

US2K Review: This is an excellent remix of Eupho Project' s Optima. The remix begins with a variation of the original electro melody with subtle delay and a 4 on the floor bass drum pattern with short fills every 8 bars. This theme continues for 22 seconds. The fills used to keep variation are assisted in their role by occasional powerful crashes. Shortly after that point a whoosh introduces a second acid-like synthesiser playing a melody line that answers the previous melody line. The mix is slowly becoming catchy and danceable, with the arrangement forming a hook. The mix continues this way until the 56 second mark where an intentional variation of the arrangement and even some repeated notes to simulate what a real musician would do to indicate a change, and a well timed whoosh effect for a cymbal crash, introduce a trance instrument sound playing faster rhythmic 16th note riff, and a stronger drum pattern partly due to a new powerful accent snare on every second beat. At last their is a fun danceable trance feel which continues until a new whoosh, at the 1 minute 24 second mark, and series of musical arrangement and subtle melody variations lead to the dropping of the 16th note trance riff, and snare whilst introducing a percussive synthesiser sound reminiscent of record scratching. Also one of the existing synthesisers at this point has the octave changed cleverly to "answer" itself. When the snare returns to the arrangement, the mix has achieved trance anthem status. The "record scratch" sound nicely drives the drum arrangement. The swapping of octaves of the lead synthesiser and "record scratch" 8 seconds into the mix so that the lead then plays low notes and the "scratch" high ones is a nice touch to the mix as it creates a moment of reflection to the listener of earlier musical themes and a clever bridge before the return of the rhythmic 16th note trance melody this time accompanied by occasional synth orchestral crashes to add impact. From this position in the mix there is a feel of building to a crescendo to finish the mix. Interestingly enough this has all been an ingenious deception because the actual conclusion is a "winding down" passage of music. The mix continues to have a nice dance beat and rhythmic 16th note riffs but the feel is definitely an ending. This "good bye" is accomplished in style though because the numerous synths playing variations on the original hook restate the original theme of this mix very affectively whilst bringing their own interesting original elements in too. The synth melody line at approximately the 3 minute 3 minute 28 seconds position works very well to finish things instantly but affectively without abruptness when the rest of the instruments including drums leave the mix 5 seconds later. My conclusions on this excellent Tech Trance remix of Optima is that it is very well arranged and structured, and the use of drum fills and other sound effects to maintain interest is very well done. The production, mixing use of delay, reverb, equalisation, stereo-position, and choice of instruments demonstrates high levels of skill. Although this is a remix Max Motion has injected his own imagination, creativity, originality and his own personality into the mix. I love the completely different twists and turns Max has given the original musical themes particularly towards the conclusion of the mix. My final score for this very polished tech trance remix of the already excellent production by ThE EuPhO PrOjEcT is 10 out of 10, and it is definitely worth listening to by everyone who likes this genre.