Fruity Loops 7,8,9 and 10 Mixes.   Go to Music Search

The mixes on this page are created with the Image Line Fruity Loops programmes. The mixes are all zipped, because they are faster for you to download. If a mix has any "imported" or "tweeked" samples, they are normally saved into the mix, but it makes the file size much larger. Any message or text that you want to send with your mix will be added as well, unless stated otherwise..

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There are currently 323 mixes on this page, the last was uploaded on 07/10/2017 13:01:04

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Mix Info:Pulsater 4:18mins @140BPM Techno/Electro/Dance

Overall Rating
Artist:Max_Motion



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Here's another late 2010 track i knocked up over a bowl of cereal...lol ( i wish !)

US2K Review: The mix begins with sound effects and an immediately catchy hook (main hook 1) melody on synth bass sound of some type. Also from the very start of the mix a driving four on the floor bass drum with extra fill hits. At the 12 second position in the mix the bass drum leaves the mix for a split second. The bass sound plays an answer to the hook melody before the bass drum returns, and there is yet another variation of the hook line. The mix continues this way until the 36-second mark, before another short drop of the bass drum pattern. Then a bass drum fill and sound effects announce the return of the original hook this time accompanied, harmonised and answered by a higher octave synth melody forming what I will call main hook 2. Shortly after the bass drum groove returns with a hi-hat and a snare accenting every second beat. The foot just help tapping at this point; everything just gets better and more danceable. At around the 1 minute 14 second position after some different sound effects including a bell, there is a variation melody to answer the hook for a short whilst. Even this theme keeps the foot tapping, until thirty seconds later main hook 2 returns but this time with a steady flow of fun improvised accompaniment melody lines. This is brilliant like a 'lead guitarist' letting rip in a rock song, I wonder how much is live key-board play over-dubs and how much is step sequenced? At around the two-minute twenty-seven position some of the instruments leave the mix before a middle 8/bridge section. For this the bass drum leaves the mix and a less "happy" variation of main hook 2 plays for a short whilst with a new synth instrument. This bridge ends around the 2 minute 53 second position, at which point the new instrument is joined one of the original hook lines and the fun improvisation melodies return. The mix then continues this way until it is cleanly faded out around the 4 minute 15 second position.

To summarise this mix is very well structured and has some really fun and catchy hook melodies and improvisations. The use of variations and drum fills or other sound effects to announce these changes demonstrates a high level of musical skill. The general production is excellent and mastering effects such as reverb, delay and equalisation etc. are expertly applied. To some it up this is a brilliant hybrid techno electro dance mix that at rate with 10 out of 10 and suggest that everyone who enjoys dance or electro music has a listen.


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Mix Info:Bonus Dub 1:33mins @100BPM Dub

Overall Rating
Artist:Greek_God
&
Goddesses'_Baby



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Produced in FL 9

US2K Review: This begins immediately with a very fast scale played on what sounds like a toy piano, bass line and rather tinny sounding drum pattern, including what sounds like bontempi organ percussion sounds. It is an accurate swing drum and bass pattern albeit implemented with a strange drum kit. These elements together form a riff or 5 bar hook which is used for a basis of the rest of the composition. There are two repeats of this pattern separated with a very short bridge of a piano scale used as a fill. After this there is another bridge in the form of a different bass line and percussion, this time just snare and what sounds like a coconut or bongo. After about 7 seconds the piano returns playing different scales. After a short gap of silence, which I am not sure works or not although with such a maverick composition it is difficult to tell, the toy piano scale and tinny drum and bass pattern returns. After a very short pause on a snare drum, there is a return to a section of just bass and drums only. This time a better swing drum pattern is used including a crash after every 8 snare hits. The bass does a solo rumble for a whilst before the hook from the beginning of the mix makes a return, then there is fill on the bongo percussion, before a reduced arrangement of bass and snare plays and then a piano fill and snare roll introduces a conclusion on what sounds like a dub step bass line coconut/bongo, and two consecutive snares play a the role of what a bass drum normally does in a 4 on the floor dance rhythm. The final ending is a well-executed finish on bass and what sounds definitely like a real drummer playing a finish on snares and cymbals. There is no evidence of any attempt to properly master or master the mix in anyway. If it were not for the fact there are definitely sequenced sections I would think it were a live jam session. I am quite fascinated by this very unusual jazz inspired mix but I am certain it has no wide appeal. To assess it as a piece of art or a very exclusive ring tone or film jingle my score is 8 out of 10, but as anything else I am afraid 6 out of 10 is the highest I could go. From listening to the mix the artist definitely has a lot of skill so I wonder what made them make this.


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Mix Info:Reflex 3:38mins @144BPM Techno

Overall Rating
Artist:Max_Motion



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Here's another one for you , gotta keep ya busy Nige m8.

US2K Review: This mix begins fairly minimal with a mixture of a fairly bleepy lead and trance synth sound at the lower frequency end. There is also an additional synthesiser playing stabs to answer the other melodies and add variations and character to the mix (theme 1). There is an intentionally uncertain bass drum pattern with fills to accompany this introduction. Towards the minute position in the mix these synth slowly become more steady and harmonic, forming a faster catchy melody hook (theme 2). After the minute when a solid hook exists a four on the floor bass drum and hi hat enter the mix. This theme continues until the 1 minute 40 mark after which a whoosh sound introduces a middle 8 bridge, where the entire drum pattern leaves the mix, where a variation of theme 2 is played before at the two minute mark the bass drum returns to the mix. A new musical idea is played based on theme 2 that is slowly changed into a new catchy melody line, varying leads and arrangements changing. Distinct changes include a faster acid synth line on the panned right of the mix.

Progressing to the two minute 48 second a driving bass drum pattern and hi hats is now in the mix. At this point some abstract possibly filter treated high frequency percussion on the left-centre of the stereo has also been added. My foot was tapping but the slower conclusion came in too soon when I was enjoying myself. There is nothing wrong with this conclusion melody in itself, as it is a sophisticated variation of earlier musical ideas. Even the final finish on the simpler musical arrangement leading to a delay treated higher octave scale, which acts as a drum roll is very clever.

The weaknesses with this mix is twice the listener has been happy with a catchy foot tapping section when a change took place too quickly. It could be intentional and experimental but in my opinion it has caused a weakness in structure and flow. Also the first minute of the mix may not be very intresting to some. Other than that this mix demonstrates great musical talent. The use of cymbals, sound effects etc. to announce changes is very intelligent. Also the use of equalisation, delay, reverb and other production mastering techniques demonstrates great skill. At this occasion, perhaps due to hearing all the more recent great music the score of this mix is going down to 7 out of 10 from the provisional of 8.

My conclusion This is not one of Max' s better mixes, but it is worth a listen by techno lovers if they are in the right frame of mind for something a bit different.


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Mix Info:Sunset Over London 6:21mins @140BPM Tech Trance

Overall Rating
Artist:Sasa_Clubber
(Now_Signed)



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Buy full version here Tainted Buddah Records


DBAReview: this song is a bit weird.. The first part(before break) doesnt fit with the break and pads.. Also the mixing is not that good in some places. The melodys and pads are nice and there is a good use of fx. perc can better and needs more variation. I have mixed feelings about this song. Needs a rework in my eyes because it has great potential for a good trancer! For now 6,5/10
6

US2K Review: This excellent track appears to be an adaption of "Insane Life". This one is not going to be easy, it never would be for a promoter to review an already signed artist. It tends to tempt bias a little but here goes.

The introduction of the mix begins with a reverse cymbal and a very trancey synth bass line. After 11 seconds a driving rhythm enters the mix. This is a very fast 4 on the floor, the bass drum accented on every second beat with a high-pitched snare or clap, and a hat on the half beat. This groove is joined by a synth line that is obviously playing notes that do not directly harmonise the bass line. I detect discords, possibly diminished, augmented chords or notes from chromatic scales.

At the 23 second mark along with sweep, and a drum roll this lack of harmony mentioned earlier is exaggerated to a point of where the mix almost goes out of tune. It amazingly works so well, simulating an orchestral crash or intentional key change pivot on a discord. It is either such lucky accident maybe found messing around with vinyl or real-time sample experimentation, or total genius. Anyway after this musical trickery the listener is prepared for a sophisticated audio journey.

The mix over a few drops of the drums, and atmospheric cymbal sweeps, changes into a more harmonic composition. Towards the minute 6 second mark a beautiful orchestral pad line is faded in which is left on its own to charm the listener when all other drums and instruments are dropped to form a lovely break in the mix. This continues for about 36 seconds before a series of very atmospheric fx (a bass drum hit morphing into a sweeping wind sound, and a reverse cymbal) announce a new catchy rhythmic synth piano riff which will later serve as part of the conclusion of 'Sunset Over London'. More wind and a filter swept drum roll, and a tiny effect treated pause, announce the return of the bass drum and hi hat, to join the piano riff. The track is infectiously danceable at this moment. At the two minute fifty eight second mark the bass drum drops from the mix again, and a reverse cymbal reintroduces its return with an accent snare this time. The track now fades out intentionally whilst this theme is repeated.

This mix is an edit and the full version is on sale my I can say the mix continues this way and my general assessment is that it is very professionally produced. It has an intelligent structure, and the use of breaks, fills, cymbals and other sound effects is superb. On top of these factors, the studio mixing and other mastering such as filter sweeps, reverb echo etc. make this mix highly polished and well worth a 10 out of 10 score. Well worth a listen here, and the sale version extends the musical experience for longer.


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Mix Info:Fairground 4:36mins @140BPM Hi Energy Tech Trance

Overall Rating
Artist:Max_Motion



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Message sent with this Mix:
Back again Nige !! , started this track early 2010 , wanted it to feel like being on a day trip to the Fair , could never quite get it right , you could tell me if in the end i did!!!.

US2K Review: This mix begins with a filter swept/phased rhythmic mid octave synth bass line that progresses as an arpeggio over about two chords. After the second chord ends, 9 seconds into the mix, an atmospheric sound effect introduces a catchy hook theme (hook 1) which includes a bass line and a number of synthesisers at different stereo positions and pitches/timbres playing answering melodies (all round the head if using headphones). A pad sweep playing in the lower frequency range 8 seconds later introduces a four on the floor bass drum pattern, forming main groove 1. From this point the mix gets more fun and danceable with many sound effects including atmospheric echo drips, and an acid line used in such a way to sound like a bubbling brook. There is a break after 51 seconds of play where the drums are dropped and a different synth melody line used to keep the mix interesting before the main hook returns with the main groove with bass drum fills every so often. The mix continues until the one minute 49 second mark until a second break where the drums drop and an alternative melody is used as a middle 8. An arrangement of fewer instruments reintroduces a variation of hook 1 and its accompanying groove. One change is the addition of an accent snare for every second bass drum beat and some variation fills. Bubbling acid line seems to playing a more prominent urgent acid rhythm. I think instead of being peripheral, in a support/accompaniment role it leads before the next break in the mix. This break introduces a few notes that will be used later, after a few snare beats and a roll, in a brilliant faster more exciting hook finale. When the concluding hook arrives it is accompanied also by a new groove; a higher energy beat including a shaker or hi hat, and a clap instead of or on top of the snare to drive the mix. For over another minute Max Motion keeps the mix fun and exciting with crafty melody, arrangement and drum pattern fills and variations. At around the 4 minute 25 second mark, for the final conclusion there is a whoosh/atmospheric sweep pad followed by a solo mid octave synth playing part of the hook with water droplets in the background. The mix cleanly finishes on this sound effect too. My evaluation of this mix is that it is well structured, very danceable, catchy and fun. It is also very skilfully produced and the use of stereo position, delay, echo and other mastering effects is excellent. Also Max has used some excellent sound atmospheric effects and percussive fills, and melodic variations to keep things interesting. I score this excellent high energy tech trance mix 11 out of 10 as it is off the scale of this website. This really would give the commercial guys a run for their money.


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Mix Info:Changeling 5mins @141BPM Tech Trance

Overall Rating
Artist:Max_Motion



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Message sent with this Mix:
Well here we go Nige , got many tunes to upload , here's the first of many over the next few weeks , made most of them last year!! , better get your reviewing head on , LOL!!

US2K Review: The mix begins a noise that sounds like an electric saw. Then follows another delayed percussive scraping sound effect and a pair of distinctly different synth sounds (one acid, one more harpsichord like) play lines that answer and together form a very interesting melody. There is an intentionally slow broken bass drum beat. This theme continues using the electric saw effect as a fill, until the 15-second mark after which the bass drum slowly speeds up initially with the use of an extra beat acting as a fill. The bass drum continues to blend into a 141 bpm four on the floor until the 41 second mark a combination of a whoosh down sound followed by the electric saw introduce a much more steady drum pattern with fill. The foot cannot help tapping at this point. I cannot be certain but one of the synths may be playing extra notes too. Was this 41 seconds intentional as it has a relationship to the bpm of the composition? This is brilliant if it was. For the next thirty seconds or so a series of sounds are progressively added to make the mix more interesting. First is a Vox samples, and then an occasional train sound. The mix continues with this theme until the 1 min 29 seconds second mark at which point another musical concept is slowly introduced which includes different sound effects, a techno bass line, that is joined about 35 seconds later by a faster, higher pitched, very catchy trancey lead line. There are some interesting melody variations and introduction bass drum hits during a middle 8 lead to a new and exciting sci-fi techno theme. This continues until the 4 minute 16 seconds mark where the composition finally finishes on some intermittent bass drum beats, a short appearance of earlier elements of the mix and a suitable finish melody played on a harpsichord-like synth line. My score for this mix was 8 out of 10, but I think it should rise to 9 out of 10. In all a very fun listen and I recommend everyone has a listen.